MIND (n.)

ESPRIT (fra.) · GEIST (deu.) · GEMOED (nld.) · INGEGNO (ita.) · MENTE (ita.) · VERNUFT (nld.) · VERNUNFT (deu.) · VERSTAND (deu.) · VERSTAND (nld.)
ESPRIT (fra.) · FANTASIE (nld.) · GEMOED (nld.) · PENSÉE (fra.) · VERSTAND (nld.)
BLANC, Jan, « ESPRIT », dans HECK, Michèle-Caroline (éd.), Montpellier, Presses Universitaires de la Méditerranée, 2018, p. 195-201.
HICKSON, Sally, « Drawing Spirit and Truth: Michelangelo’s Christ and the Woman of Samaria for Vittoria Colonna », dans D'ELIA, Una Roman (éd.), Rethinking Renaissance Drawings. Essays in Honour of David McTavish, Montreal, McGill-Queen's University Press, 2015, p. 81-94.
MICHEL, Christian, « Imagination et feu : l’esquisse dans la pensée du XVIIIe siècle », dans JACQUOT, Dominique (éd.), L’Apothéose du geste. L’esquisse peinte au siècle de Boucher et Fragonard, cat. exp., Strasbourg, Musée des Beaux-Arts - , 2003-2004, Paris, Hazan, 2003, p. 39-47.



2 sources
2 quotations


The Grecians had this Art in so high esteem, that they made an Edict, that no Slave should be admitted to learn this Art ; and good reason, because this Art should onely be permitted to those that were of a Free, Ingenious, Noble Mind, and such as excelled others in their sharp Ingenuity ; and this Noble Mind is soon espied in him who hath a delight to such a Liberal Art.
The Ancient Romans ordered their Children so, that among other Liberal Sciences The Art of Limning was enjoyned to them to learn. Which Commendable thing long before this was in practice among the Grecians, so that their Youth of a good Descent added to their Liberal Learnings of Geometrie, Musick, and other Mathematical Sciences, The Art of Painting also ; for this Art hath been so highly esteemed, that amongst the Feminine Sex it was held a great Honour if they had affected and delighted themselves in such an Honourable Exercise ; as the Faithful Histories bear witness of the most Potent Roman VARRO’s Daughter, called MARTIA, that she had good skill in The Art of Limning.

Conceptual field(s)

L’ARTISTE → qualités


Design is the Expressing with a Pen, or Pencil, or other Instrument, the Likeness of any Object by its out Lines, or Contours ; and he that Understands and Mannages well these first Lines, working after Nature still, and using extream Diligence, and skill may with Practice and Judgment, arrive to an Excellency in the Art.
            Me thinks that should be no difficult Matter, for we see many whose Inclination carys them to Draw any thing they see, and they perform it with ease.
            I grant you, Inclination goes a great way in disposing the Hand, but a strong Imagination only, will not carry a Painter through ; For when he compares his Work to
Nature, he will soon find, that great Judgment is requisite, as well as a Lively Fancy ; and particularly when he comes to place many Objects together in one Piece or Story, which are all to have a just relation to one another. There he will find that not only the habit of the Hand but the strength of the Mind is requisite ; therefore all the Eminent Painters that ever were, spent more time in Designing after the Life, and after the Statues of the Antients, then ever did in learning how to colour their Works ; that so they might be Masters of Design, and be able to place readily every Object in its true situation.


Conceptual field(s)

L’ARTISTE → qualités
CONCEPTS ESTHETIQUES → génie, esprit, imagination