TERM USED AS TRANSLATIONS IN QUOTATIONACCORD (fra.)
TERM USED IN EARLY TRANSLATIONSAGRÉMENT (fra.)
BROWNE, Alexander, Ars Pictoria : or an Academy Treating of Drawing, Painting, Limning, Etching. To which are Added XXXI. Copper Plates, Expressing the Choicest, Nearest, and Most Exact Grounds and Rules of Symmetry. Collected out of the most Eminent Italian, German, and Netherland Authors. By Alexander Browne, Practitioner in the Art of Limning. The Second Edition, Corrected and Enlarged by the Author, London, Arthur Tooker - William Battersby, 1675.1 quotations
Proportion is a correspondency and agreement of the Measure of the parts between themselves and with the whole, in every Work, this correspondency is by Vitruvius called Commodulation, because a Modell is a Measure which being taken at the first measureth both the parts and the whole. […] and without this a Painter (besides that he is not worthy the name of a Painter) is like one which perswadeth himself he swimmeth above Water, when indeed he sinketh, to conclude then it is impossible to make any decent or well proportioned thing, without this Symetrical measure of the parts orderly united.
Wherefore my greatest endeavour shall be, to lay open the worthiness of this part of painting unto all such as are naturally inclined thereunto, by reason of a good temperature joyned with an apt Disposition of the parts thereof, for such men will be much affected therewith, to the end they may the better perceive the force of Nature : who by industry and help of a good conceipt, will easily attain to so deep a reach, that they will be able upon the sudden to discern any Disproportion, as a thing repugnant to their Nature : unto which perfection on the contrary Side they can never attain, whose Judgements are corrupted through the Distemperature of their Organical parts, I speak of such who not knowing the virtue of proportion, affect nothing else, but the vain surface of garish colours, wrought after their own humour, who prove only Dawbers of Images and Walls throughout the whole World ; moving the beholders partly to smile at their Follies, and partly to greive that the Art should be thus disgraced by such absurde Idiot’s : who as they have no judgement herein ; so do they run into divers other most shamefull errors, into which I never heard that any ever fell, who were acquainted with the Beauty of proportion, but have rather prooved men of rare Spirits and found Judgements, […].
SMITH, Marshall, The Art of Painting According to the Theory and Practise of the Best Italian, French, and Germane Masters. Treating of The Antiquity of Painting. The Reputation it allways had. The Characters of severall Masters. Proportion. Action and Passion. The Effects of Light. Perspective. Draught. Colouring. Ordonnance. Far more Compleat and Compendious then hath yet been publisht by any, Ancient or Modern. By M. S. Gent., London, The Vendüe, 1692.1 quotations
Proportion is a Correspondency and Agreement of the Measures of the Parts between themselves, and with the whole in every Work
. This Correspondency Vitruvius cals Commodulation, because a Modell is a Measure, which being taken at first, measures both the Parts and the Whole.
Any of the several Species of Colours may be as Beautiful in their Kinds as the others, but one Kind is more so than another, as having more Variety, and consisting of Colours more pleasing in their own Nature ; in which, and the Harmony, and Agreement of one Tinct with another, the Goodness of Colouring consists.
To shew the Beauty of Variety I will instance in a Geldër Rose, which is White ; but having many Leaves one under another, and lying hollow so as to be seen through in some places, which occasions several Tincts of Light, and Shadow ; and together with these some of the Leaves having a Greenish Tinct, all together produces that Variety which gives a Beauty not to be found in this Paper, tho’ ‘tis White, nor in the inside of an Egg-shell tho’ whiter, nor in any other White Object that has not that Variety.